Main Entrance

Signaling a new era in design education, the Center for Art, Architecture, and Design Education focuses on purposeful shifts towards a better way of educating. By using the architecture to unite diverse groups meaningfully, the Sam Fox School hopes to better prepare graduates for the future ahead.

Studio spaces and faculty spaces are grouped separately to allow for the development of ideas before they are brought together. Within these groups are a subset of smaller groups. These smaller groups are composed of each students’ or faculties’ work space and one pocket space. The pocket spaces are flexible spaces  that promote small scale meetings, relaxation, and discovery. The varying scales of interaction are meant to promote the development of ideas from a thought, to a finished work.

The form of the building has been manipulated to minimize the energy requirements for cooling and heating, while still acknowledging the context of the campus around it.

  • This was an entrant in the International 2012 Steedman Traveling Fellowship Competition.

 
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The Mong Kok Nightclub Hotel is enveloped in a tight fabric and bamboo structure that hugs the form of the program within. It acts as a visual separation between the public and the guest just as clothes hides things from others, adding intrigue to those outside. The bamboo and fabric are also reminiscent of the scaffolding surrounding so many of Hong Kong’s buildings.

The only exposed program within are the all glass boxes that extrude from each hotel room. These boxes can act as storefronts to those offering services, a location to watch others, or a location to be watched. The cantilevered space alludes to the delicate balance between comfort and danger where sexual excitement lies.

Within the fabric envelope, one is within the private space. This is where each hotel room stands alone, looking at other rooms, but not touching. The walls of each room are made of glass, with optional curtains inside. This provides each guest with a unique voyeuristic experience. The sporadic pattern of rooms scatters the view, teasing the viewer by only allowing glimpses of others.

This was an entry in the 2011 Arquitectum.com Hong Kong Nightclub Hotel in Mong Kok.

 
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UDON is an innovative urban parking structure designed to address the safety, health, and sustainability shortcomings of the parking garage typology while placing it in the context of a vertically sprawling Hong Kong in a time of “anything is possible”.
UDON fights the stagnant, patterned monoliths already overburdening the skyline by introducing a form that works with nature rather than against it. The soft form of the strand allows it to work with the context in form and function.
UDON is but one noodle in the soup towards a safer, healthier, and more sustainable Hong Kong.

 

ONEWAY: a single lane for automobile traffic moving in a single direction with 60 degree parking on one side.

WALKWAY: a running, biking, and walking path that is used as circulation for UDON and as an exercise track.

When ONEWAY and WALKWAY are joined together, they become a single flexible strand that can then be tightly packed in many ways for optimal efficiency. UDON uses simulated particle physics to pack the strand onto the site. This allows required program to be easily nested within the strands. Much like beef cubes in a bowl of noodles.
A one-way parking structure is the easiest to navigate. It requires no map or signage. The parking spots are named according to their distance from the exit and colored according to their height off the ground.
Each rented parking space comes with a bike rental included in the price. One is stored at the front of each parking place, and extras distribute around the structure. The bikes can be used as a sustainable way to bring the customer to the ground level, instead of energy consuming elevators. They can also be used for exercise or as transport into the city, new reasons to visit UDON. This utilizes the potential energy that is normally wasted when one ascends parking structures.
With multiple services offered, UDON has a diversity of visitors. This will not only provide income security for UDON investors, but security for the users. An experienced runner may want to run up then down the entire garage, so they park at the bottom. While a family going for a bike ride may want an easy ride so they start at the top. This dispersal of parking prevents potentially dangerous “dead-zones” of little use.
The general rule of parking safety is “park in highly visible, well lit areas”. With the increased traffic caused by the one-way road, no more “dead-zones”, and the number of people running on the track nearby, each parking spot is frequently viewed.
The walls of UDON are steel cables with varying types of plants climbing up them. The porosity of this skin allows natural lighting to penetrate into the building to illuminate any threats. This, also, allows natural ventilation of the garage while acting as a giant filter that cleans the carbon particulates from the air.

In one corner of the site rises a minimal core with rectilinear volumes cantilevered off from it. These volumes contain the essential functions of UDON. Lobby and reception are at the ground level nearest to the entrance of the parking. Above them are the offices for the administrators. Midway up the structure are the two levels of multi-purpose space, one with a terraced outdoor area. The top floor is the Café, also with indoor and outdoor seating. The outdoor seating has an option where visitors can sit on a stretch of grass and look out over the harbour.
The program volumes are made of concrete with rough recycled aggregate. Shielding this from solar rays, a single layer of back-painted glass is offset from the surface of the concrete. This glass can be backlit with multicolor L.E.D.’s to appear as glowing boxes in the sky during the “Festival of Lights”.
The rectilinear form of the program volumes is meant to appear as frozen in time whereas the curvilinear form of the ONEWAY-WALKWAY conveys the constant motion taking place within it.

 
Train Station Arrival Hall

To encourage the continued growth of the Polish economy, a massive scale re-urbanization of Warsaw was proposed. The primary task became minimizing the impact of this required program while still meeting the needs of the city.

With the site having so many different parameters, we relied on data to design the massing. By combining all information, such as annual solar accumulation as shown below, and formatting it into plot-able values, we then could extrapolate where the density of the project wants to be, this combined model shown in video below.

The program of the project included four office towers, trains station, shopping center, and a fashion and architecture museum.

An emphasis on this project was put on creating an iconic image for the city; a beacon for the future of Warsaw’s economic development.

Conceptual Density Placement from tim williams on Vimeo.

Massing Studies from tim williams on Vimeo.

 
Extracted Panel

Tropism is the moving of an organism in response to an environmental stimulus. 

The Kansas Plains has strong, dynamically changing weather systems. With the massive building size requirements, the tower would be standing alone among a medium-rise urban area. Rather than letting the skin act as a defensive measure, we realized it could be used to harness the power of the plains weather.

The exterior of the building became a double-skin; the inner layer a rain barrier and the outer a dynamic functional layer. This functional layer would adapt through small movements of the circular glass panels that covered the surface to meet one of four positions. The panels could tip forward to collect rain, hinge sideways to direct wind for cooling, track the sun to collect solar energy, or stay vertical as a standard double skin. Each of these panels would have its own processor, telling the panel which position is optimal for the buildings total energy reduction.

This was a semester long school project with teammates Adam King and Michele Balducci. The project required us to design an innovative 500,000 ft² mixed-use tower in the middle of Kansas City, MO.

Tropistic Tower from tim williams on Vimeo.

 
Brooklyn Film Institute - 01

The Brooklyn Film Institute was the finished product from my 4th year comprehensive studio. The goal of this four-month project was to design a film institute in the DUMBO area of Brooklyn. A preexisting building from the mid 19th century remained on part of the site while a soon to be park existed on the other half with the Hudson River just beyond.

The programming of the project took to the idea of linking these spaces while also enhancing each of them. The historical building and it preexisting “guerilla theater” was left as is, with improved performance area and tiered patron seating. The park was transformed into a weaving of circulation to lighten the building while creating raked seating for viewing the skyline of Manhattan. When the building reaches the river, it becomes a pier holding the indoor theaters as a spectacle for the city to see.

The form of the building comes from sculpting the functions of the building to create a unified object, solidifying the link between the spaces across the site. Not only was this a visual connection, but an actual one as the roof of the building doubled as a bridge, transporting people across the zones.

With a series of smoothly transitioning sections transporting people from the old to the new, Film and the Brooklyn Film Institute became synonymous.

Model being laser cut.

BFI – laser cutter from tim williams on Vimeo.

 
Qatar National Museum - 03

This project was done during my time at Atelier Jean Nouvel in the Fall of 2009. I was brought on to design 20 restrooms in the Qatar National Museum in Doha, Qatar.

The concept had already been agreed by Jean as a fractal wall made of Corian. It would become the sinks, the urinals, and mirrors as it wrapped around the rooms. I was brought on to design this, injecting more reason and efficiency into the design while maintaining the random appearance. I accomplished this by creating vertical modules made of a single piece of Corian. They would then zip together with four edge conditions. These “male” conditions would fit with their “female” conditions to create a seamless transition and preventing a pattern from being recognized.

The project is scheduled to open in December of 2014.

New York Times Article describing the project.

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